The Broken Disk (Kırık Plak)

The Broken Disk (Kırık Plak)

Movie · 1959 · 15 people

Turkish cinema gave the black-and-white sentimental drama Kırık Plak (The Broken Disk) to the screen in 1959. Osman F. Seden produced and directed it from a script by Bülent Oran, and it was made under the Kemal Film banner. The leads are the singer Zeki Müren and Belgin Doruk, and Müren also supplied the music, which suits a plot built around a singer's voice.

The story opens when Nermin, the patroness who made Zeki famous while using him for her shady dealings, wrecks his vocal cords out of jealousy. She is soon murdered by her husband, and the crime is blamed on Zeki. He runs, is believed dead after an accident, and in fact lives in poverty in a remote corner of Anatolia. A chance operation restores his voice; he then works with the police to catch the real killer, Asım, and returns to his beloved Leyla.

The cast also includes Belgin Doruk as Leyla, Hayri Esen as Asım, Ayfer Feray as Nermin Kaner, Ahmet Tarık Tekçe as Ruhi, Nubar Terziyan as Police Officer Ali, Ziya Metin as Sacit, Muammer Gözalan as the Boss and Behzat Balkaya as the Prosecutor. Kriton İlyadis was the cinematographer. İzzet Günay (Erol) made his screen debut here.

DirectorOsman Fahir Seden
Production companyKemal Film

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Cast

Through different eyes

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Having Zeki Müren, whose voice enchanted a generation, play a singer who loses his voice is a touching idea in itself. He also wrote the film's music, so the songs are not decoration but the story's heart. Belgin Doruk's grace, together with seasoned performers like Hayri Esen and Ayfer Feray, brings out the familiar warmth of black-and-white Yeşilçam. Knowing that İzzet Günay made his screen debut in this film adds its own small charm.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

Bülent Oran's script uses every mechanism of melodrama in plain sight: vocal cords destroyed out of jealousy, a murder pinned on the hero, a presumed death after an accident and a voice restored by a chance operation. A structure that leans this heavily on coincidence almost switches off the character's own will; things happen to the hero rather than the hero making them happen. On the other hand, the film knows how to gather a singer's rise, fall and disappearance into a single dramatic line, and it cleverly ties Zeki Müren's stage persona into the story. Tidy for those who accept the genre's terms, too easy for those who question them.

Family Viewer Asks whether the whole household can watch it; cares about humour and heart.

Thanks to Zeki Müren's songs, this is a film grandparents will gladly watch. But the story also includes a singer's voice being damaged out of jealousy, a murder and a false accusation. Even if these are handled more gently than in today's films, they may feel a bit dark for small children. From around middle-school age, fine for the whole family.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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