Biyograficim
Ayça Bingöl

Ayça Bingöl

Actor · 51 years old

Nüzhet's mother in the series Kıskanmak

Profile

Age51
Birth dateJanuary 16, 1975
BirthplaceIstanbul
ProfessionActor
Height1.63 m
Zodiac signCapricorn
Eye colorHazel
EducationIstanbul University State Conservatory, Theatre Department

Worked most often with

Filmography / Projects

Ayça Bingöl — Biography

Ayça Bingöl is an actress who moved from the theater stage to television and film, and whose voice is also known from Turkish dubs of foreign films. Audiences remember her above all as Cemile Akarsu in Öyle Bir Geçer Zaman Ki; in 2026 she played Nüzhet's mother in Kıskanmak and then joined the cast of atv's Aşk ve Taht.

She graduated from the Theatre Department of Istanbul University State Conservatory in 1998, but had already gone professional two years earlier at Dormen Theatre. She guested at Tiyatro Fora from 1998 to 2000, then joined the Yeditepe Oyuncuları ensemble, and played in Bana Bir Picasso Gerek at Duru Theatre in 2007-2008 and Nehrin Solgun Yüzü the following season. Her first screen credit was Süper Baba in 1993, followed by the film Tramvay and series such as Hayat Kavgam and Küçük Kadınlar. The turning point was Öyle Bir Geçer Zaman Ki, for which she won the Golden Butterfly for best actress in a drama in 2011. She then took a leading part in the film Benim Dünyam and appeared in Benim Adım Gültepe, Babam ve Ailesi, Kırmızı Oda, Kardeş Çocukları, Kirli Sepeti and the film Müslüm.

As a voice actress she dubbed Arwen in the Lord of the Rings films and Ellie in Ice Age: Dawn of the Dinosaurs. Her stage work was recognized in 2013 with a Çehov Makinesi award.

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Reactions

You can pick up to 3 reactions.

Their work through different eyes

Family Viewer Asks whether the whole household can watch it; cares about humor and heart.

If you want something with Ayça Bingöl to watch with children, begin with Sihirli Annem: a light fantasy comedy made for kids. İki Aile is another family comedy that is easy to share. Keep Kırmızı Oda for the grown-ups; it is set in a psychiatric clinic and often deals with trauma and grief. The Turkish dub of Buz Devri 2: Erime Başlıyor works fine with little ones too.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

What stands out in Ayça Bingöl's work is the distance between screen and voice. The line that starts with family series such as Süper Baba and Çiçek Taksi moves into drama with Cemile Akarsu in Öyle Bir Geçer Zaman Ki, while Kırmızı Oda, with a cast that changes from episode to episode, asks for a different tempo. Then there is dubbing: in films like Yüzüklerin Efendisi:Yüzük Kardeşliği a character is built from the voice alone, with no face or body. In my view, working in all three says more than a career stuck in one type.

These are not reader reviews: they are short editorial takes on this person's screen work, written from different viewer perspectives with AI assistance. Reader comments are below.

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