Dert Bende

The Problem Is with Me (Dert Bende) (translated)

Movie · 1973 · 3 people

Orhan Elmas directed Dert Bende, a color Yeşilçam melodrama released on March 1, 1973. Adapted from Kerime Nadir's 1972 novel of the same name, the roughly 80-minute film tells the story of a young woman torn between love for her sister and a secret passion. Türkân Şoray stars.

It opens in a waterfront mansion in Yeniköy, only hours before Fatma's wedding. Meral Zeren plays Fatma, whose heart has swung between the naval officer Tarık and the wealthy Bülent before settling on the rich suitor. Türkân Şoray plays her younger sister Süreyya, a conservatory graduate who is devoted to the uncle who raised them both, played by Muammer Gözalan. Süreyya keeps an unspoken love for Tarık in her heart. A letter her sister did not want to write becomes, in her hands, a whole correspondence, and that small deception drags the story into years of separation and waiting.

Muzaffer Arslan and Bülent Oran co-wrote the screenplay. Sine Film produced it, with Muzaffer Arslan as producer, Norayr Demirci composed the score and Çetin Tunca handled the photography. A song titled Dert Bende, from 1972, is also sung in one scene.

DirectorOrhan Elmas
Production companySine Film

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Through different eyes

Yeşilçam Nostalgic A viewer raised on the classics, looking for warm storytelling and strong acting.

Kerime Nadir adaptations are the graceful love stories Yeşilçam audiences watched through their tears, and Dert Bende is a fine example of the tradition. Türkân Şoray's Süreyya is a self-sacrificing young woman who keeps her love to herself, and Şoray knows exactly how to convey that silent devotion with a look. A waterfront mansion in Yeniköy, a small lie spun out through letters, a wait that stretches over years... Norayr Demirci's score and the song that gives the film its title round out the story's melancholy. A sincere, delicate film for anyone who sits down knowing the rules of melodrama.

History & Society Lens Asks about the period, the social background and what the work reflects.

The film depicts a world Yeşilçam was very fond of in the early 1970s: the wealthy waterfront-mansion families of Istanbul. Fatma wavering between the naval officer Tarık and the wealthy Bülent before settling on the rich suitor suggests a view of marriage in which class and security count as much as love. Süreyya, a conservatory graduate, choosing silence over speaking her feelings is a textbook reflection of the self-sacrificing role assigned to women. Coming from Kerime Nadir's novel, the framework offers emotional storytelling more than social critique, but it remains an interesting document for reading the values of its time.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

I'll be honest: this isn't my kind of film. The story is built on letters, unspoken love and a wait that lasts for years; there's sorrow where the tension should be. At about 80 minutes it's at least short, so the melodrama doesn't drag on forever. It's worth a shot if you want to see why Türkân Şoray is so loved, but for anyone after pace it's just too slow.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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