Damn Istanbul (Ulan İstanbul)

Damn Istanbul (Ulan İstanbul) (translated)

TV Series · 2014–2015 · 34 people

Kanal D started the Turkish series Ulan İstanbul ("Damn Istanbul") on June 23, 2014. Mixing action, comedy, adventure and romance, and sometimes also labeled a crime drama, it is made by D Productions, directed by Murat Onbul and written by Uğraş Güneş. The single-season show ended with its 39th episode on March 23, 2015; the broadcast finale on television came on February 9, 2015, while the last six episodes were released only online.

The spark of the story is a family patriarch who goes to prison for con-artistry. Backed into a corner, the rest of the family has to follow in his footsteps to raise enough money to free their father, and they begin scamming "bad" people, mostly those who grew rich by dishonest means. The schemes move at a brisk pace, helped along by dark humor and romantic subplots, and different districts and layers of Istanbul serve as the stage for these games.

The leading roles are shared by Uğur Polat, Şebnem Bozoklu, Erkan Kolçak Köstendil, Kaan Yıldırım, Sevtap Özaltun, Caner Özyurtlu and Salih Bademci. Fırat Tanış, Emre Kınay, Ezgi Eyüboğlu and Bahtiyar Engin are among the others in the large ensemble. Despite its short life, the series carved out a niche with its unusual gallery of characters and offbeat humor.

DirectorMurat Onbul
Production companyD Productions
NetworkKanal D

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Cast

Also in the cast: Caner Özyurtlu (Bahadır)

Through different eyes

Series Binger A series devotee tracking character arcs, cast chemistry and season pacing.

Ulan İstanbul is the kind of show I'd get through in a few sittings: a new scheme and a new mark every episode, with dark humor on top. The big ensemble has real chemistry, and the idea of a family following their father's crooked path to get him out gives the characters both charm and a gray edge. Across 39 episodes the con formula repeats itself now and then, but the pace never sags. The bittersweet part is that the TV finale came early and the last six episodes went online only, so anyone starting it should track those down to see the ending.

Action & Thriller Fan Puts pace, tension and set pieces first; little patience for slow drama.

The schemes move fast, and for me that's what counts. Each con has a little heist-movie feel, and since the targets are people who got rich dishonestly, you're happy to side with the swindlers. But let's be honest: this isn't a hard-edged thriller, and the action mostly serves the comedy. Anyone hoping for real showdowns may come away a bit let down, while viewers after something light and lively will have a good time.

Cinephile Looks at script, editing and directing choices; keeps a distance from formula films.

What makes Ulan İstanbul interesting is its genre blend: action, comedy, romance and crime, which Murat Onbul tries to melt into one. Uğraş Güneş's script finds a clever premise by giving the con story a moral frame; because the family only targets 'bad' people, the audience's conscience stays clear. Using different districts and social layers of Istanbul as its stage also gives the show visual variety. The trouble is that holding so many tones together doesn't always work, and the shifts between dark comedy and the romantic subplots can feel bumpy. Still, its odd gallery of characters shows a search for an identity beyond standard TV formula.

These are not reader reviews: they are short editorial takes written from different viewer perspectives with AI assistance. Reader reviews are below.

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