Jean-Claude Brialy
Stage actor · died at 74
Profile
| Age at death | 74 |
|---|---|
| Birth date | March 30, 1933 |
| Birthplace | Aumale (Sour El-Ghozlane), Algiers |
| Died | May 30, 2007 |
| Profession | Stage actor, Screenwriter, Writer, Television Director |
| Zodiac sign | Aries |
| Nationality | French |
| Education | Strasbourg Conservatory |
| Place of death | Monthyon, Seine-et-Marne |
In the rankings
Filmography / Projects
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Two in the Wave (Deux de la Vague)
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Cannes, 60 Years of History (Cannes, 60 ans d'histoire) (translated)
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A Cursed Monarchy (Les Rois maudits)
- Quartier V.I.P.
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The Car Keys (Les Clefs de bagnole)
- Special Delivery (C'est le bouquet !)
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Les Acteurs
- Élisabeth - Ils sont tous nos enfants
- Man of My Life (L'Homme de ma vie)
- Cannes... les 400 coups
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Le Fils de Gascogne
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Beaumarchais (Beaumarchais, l'insolent)
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One Hundred and One Nights (Les Cent et Une Nuits de Simon Cinéma)
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La Reine Margot
- Forgery and the Use of Forgeries (Faux et Usage de faux)
- Le moustachu
- Lévy and Goliath (Lévy et Goliath)
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Follow My Gaze (Suivez mon regard) (translated)
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A Man and a Woman: 20 Years Later (Un homme et une femme : Vingt ans déjà)
- Inspecteur Lavardin
- The Debutant (Le Débutant)
- Le téléphone sonne toujours deux fois!!
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An Impudent Girl (L'Effrontée)
- Marriage of the Century (Le Mariage du siècle)
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Papy fait de la résistance
- Stella
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Deadly Circuit (Mortelle Randonnée)
- Cap Canaille
- Édith et Marcel
- Cover Up (La Crime)
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That Night in Varennes (La Nuit de Varennes)
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Les Uns et les Autres
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The Lady Banker (La Banquière)
- Jacko and Lise (Bobo Jacco)
- Le Maître-nageur
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Le Point de mire
- Julie Gluepot (Julie pot de colle)
- The Accuser (L'Imprécateur)
- Double Murder (Doppio delitto)
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Scrambled Eggs (Les Œufs brouillés)
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The Judge and the Assassin (Le Juge et l'Assassin)
- Un animal doué de déraison
- Catherine & Co. (Catherine et Compagnie)
- The Phantom of Liberty (Le Fantôme de la liberté)
- Comme un pot de fraises
- L'Oiseau rare
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Murder Is a Murder (Un meurtre est un meurtre)
- A Season in Hell (Una stagione all'inferno)
- Gang War (Cose di Cosa Nostra)
- Tout peut arriver
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The Bride Wore Black (La mariée était en noir)
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Dear Caroline (Caroline chérie)
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Manon 70
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The Oldest Profession (Le Plus Vieux Métier du monde)
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Shock Troops (Un homme de trop)
- Anna
- Lamiel
- King of Hearts (Le Roi de cœur)
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Our Husbands (I nostri mariti)
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Cent briques et des tuiles
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La Bonne Occase
- Love at Sea (L'Amour à la mer)
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I Knew Her Well (Io la conoscevo bene)
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Male Hunt (La Chasse à l'homme)
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Comment épouser un premier ministre
- La Bonne Soupe
- Male Companion (Un monsieur de compagnie)
- Circle of Love (La Ronde)
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Two Are Guilty (Le Glaive et la Balance)
- Nutty, Naughty Chateau (Château en Suède)
- Carom Shots (Carambolages)
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People in Luck (Les Veinards)
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The Seven Deadly Sins (Les Sept Péchés capitaux)
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Girl on the Road (Les Petits Matins)
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Arsene Lupin vs. Arsene Lupin (Arsène Lupin contre Arsène Lupin)
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Le Diable et les Dix Commandements
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Wise Guys (Les Godelureaux)
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A Woman Is a Woman (Une femme est une femme)
- Paris Belongs to Us (Paris nous appartient)
- Les Lions sont lâchés
- The Army Game (Tire-au-flanc 62)
- Vanina Vanini
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Le bel âge
- The Gigolo (Le Gigolo)
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The 400 Blows (Les Quatre Cents Coups)
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The Cousins (Les Cousins)
- Eyes of Love (Les Yeux de l'amour)
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Le Beau Serge
- Cargaison blanche
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The Lovers (Les Amants)
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Christine
- Et ta soeur
- School for Coquettes (L'École des cocottes)
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Elevator to the Gallows (Ascenseur pour l'échafaud)
- Amour de poche
- Le Triporteur
- Anyone Can Kill Me (Tous peuvent me tuer)
- L'Ami de la famille
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Elena and Her Men (Elena et les Hommes)
- Crime and Punishment (Crime et Châtiment)
Jean-Claude Brialy — Biography
Jean-Claude Brialy came into the world on 30 March 1933 in Aumale, Algeria, and died on 30 May 2007 in Monthyon, Seine-et-Marne; he worked as a French actor, film director, screenwriter and author. His Algerian birthplace, now called Sour El-Ghozlane, owed to the fact that his father was serving there with the French army; in 1942, when Jean-Claude was nine, the family returned to France. He attended the Prytanée National Militaire and the David d'Angers lycée in Angers before training as an actor at the Strasbourg Conservatory.
His film career began in 1956, and by the end of that decade he had risen to become one of the most industrious performers of the French New Wave. He took the lead as François Baillou in Claude Chabrol's debut feature Le Beau Serge (1958), then played Paul Thomas in Chabrol's Kuzenler (1959). A brief appearance came in François Truffaut's 400 Darbe (1959), while in Jean-Luc Godard's Kadın Kadındır (1961) he took on the part of Émile Récamier. Over a working life of more than half a century he accumulated upwards of two hundred screen credits, collaborating with Louis Malle, Éric Rohmer, Agnès Varda, Jacques Rozier, Roger Vadim, Philippe de Broca, Mauro Bolognini, Henri Verneuil, Costa-Gavras, Luis Buñuel, Ettore Scola and Claude Lelouch, alternating between starring vehicles and character roles.
Throughout the 1960s and 1970s he worked without pause in parts of every scale. Among the memorable titles of that period are King of Hearts (1966), Truffaut's Siyah Gelinlik (1968), Rohmer's Claire's Knee (1970) and Buñuel's Le Fantôme de la liberté (1974).
Besides acting, he moved behind the camera: he directed Églantine (1971), and for L'Oiseau rare (1973) he served as director, screenwriter and leading man all at once. Television audiences saw him in productions such as Kraliçe Margot (1994) and the miniseries A Cursed Monarchy (2005). He also published books and remained active on the stage over many years.
His performance as the prosecutor in The Judge and the Assassin (1976) earned him a 1977 César nomination for Best Supporting Actor; he won that same award in 1988 for his work in Les Innocents. The French state decorated him as Commander of the Légion d'honneur and Commander of the National Order of Merit. Following a prolonged illness he passed away at his home in Monthyon on 30 May 2007, at the age of 74, and was buried at the Montmartre Cemetery in Paris. Across five decades he left behind a body of work that spanned the New Wave generation to the French cinema of the new millennium.
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